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| - Mata Ortiz |
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New highway to Mata Ortiz finished in 2004 |
The story of Mata Ortiz began with the curiosity of a young boy, Juan Quezada, wandering in the mountains to gather wood for his family. The village of Mata Ortiz is in the foothills of the mountains in the area of ancient Paquime, the ruins of which can be seen nearby. Mata Ortiz was a poor town, the inhabitants living off the land by subsistence farming and raising a few cattle. Young Juan, alone in his wanderings, found shards of pottery, not uncommon in the region. The markings intrigued him. Time and again he pulled them out at home to examine in the quiet of an afternoon. The geometric drawings were clear enough that he visualized and drew pictures of entire ollas, or pots, to create the original designs. |
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In his quiet manner, he experimented with clay, such as commonly found in the hills and river beds. Over fifteen years of playing with mixtures of clay with ash and water, burying them in a pit to fire them, trying out different fuels, Juan not only became a man but an artist as well. |
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Ancient Paquime |
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My encounter with the pottery of Mata Ortiz An article by Mata Ortiz Gallery owner Claudia Lovera in the on-line magazine PVMirror. |
| - Discovery |
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In the mid-seventies, an anthropologist, Spencer MacCallum, entered an antique store in Deming, N.M. There up high on a shelf were three pots of a superb design. Requesting to see them more closely, he marveled at their lightness, their fragile strength. Dusting them off, he casually asked where they came from. The answer, "from some place in Mexico", intrigued him. MacCallum had lived in Mexico as a child during the war years and spoke Spanish fluently. |
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Spencer H. MacCallum |
Spencer & artist Juan Quezada |
Within a few short months, MacCallum reconnoitered the dry, dusty towns of northern Chihuahua and was led to unimpressive Mata Ortiz. Entering the small home of Juan Quezada, now married with children, the two men talked briefly. Offering a commission in cash for more pots, MacCallum left with the promise of returning in three months. Through this contact a partnership was formed that has grown today, putting Mata Ortiz on the map and forever changing the lives of the townspeople. Today over 400 potters are busy at work, some of them creating original work of the most exquisite design and texture. |
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Juan Quezada was awarded the National Art Award by the Mexican government in 1999. |
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For more information about Mata Ortiz please |
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| - Mata Ortiz: where is it going? |
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No two alike, the art in pottery of Mata Ortiz is based on pre-Hispanic designs of the ancient culture of Paquime, delicately drawn freehand on the varied shapes of the modern pots. It's truly a unique experiment in combining contemporary methods with prehistoric tradition. This custom, lost in time, has grown out of the curiosity and ingenuity of Juan Quezada and others who have perfected the technique to an exceptional level. Mata Ortiz pottery exists in museums and private collections around the world, including the US, Canada, Japan and Europe. |
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Mata Ortiz Pottery used in jewelry |
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| - Mata Ortiz: how is it made? |
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The unique combination of clay with volcanic ash was developed over years by the experimentation of Juan Quezada. He works with the clay, forming a tortilla as the base, then shaping a chorizo (sausage) coil into the desired form. |
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The entire surface is smoothed by hand, then sanded and allowed to air dry. Polishing by stones or deer bones creates the fine texture and compresses the clay for strength and finish. |
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Designs are hand-painted by fine brushes of human hair with paints that originate from minerals and clays. |
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An early firing is sometimes completed in old iron stoves at their extreme temperature, then the pot is moved to an outdoor surface oven created by building an enclosure of combustible materials including cow dung. Temperatures of around 1600° F are reached to complete the firing process, which may only take up to twenty minutes. Often the actual color of the clay changes in the firing process. After the firing, the clay-based paint is melded chemically with the clay of the pot itself. |
| - Mata Ortiz Pottery Gallery, Puerto Vallarta |
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Gallery owners Claudia Lovera & Alejandro Martinez with Spencer & Emalie MacCallum(center) |
| © Mata Ortiz Pottery. All Rights Reserved. |
Mata Ortiz Art Gallery Downtown Gallery Lazaro Cardenas 268-A U.S.A. & Canada Telephone: (011-52-322)222-7407 Puerto Vallarta, Jalisco, Mexico 48380 |
Hotel Zone Gallery Plaza Peninsula Shopping Center Fco. Medina A. 2485 Int. B-48 U.S.A. & Canada Telephone: (011-52-322)221-0467 Puerto Vallarta, Jalisco, Mexico 48380 |
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